Why I'm Mad At Disney (Star Wars Galaxy's Edge, Marvel, Magic Kindom, EPCOT, World)
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This is a twenty-minute therapy session in which I explain why I'm currently a little upset at Disney as a company. We cover Disney's purchase of Fox (again), talk about the rising ticket prices of the parks at Disney World while the rides themselves continue to decline, and look to the horizon with the construction of Star Wars Land (Galaxy's Edge) and the injection of Marvel into the parks. We also look at the tenure of Bob Iger as the CEO of Disney and see how he compares to the notorious Michael Eisner. It's less angry than it sounds, and we might actually figure out a thing or two about ourselves and the way we interact with our entertainment!
Deadpool & Wolverine is less a movie and more a collection of fan service, references, and easter eggs. At the same time, it's a shot in the arm for the flagging Marvel Cinematic Universe, which really should have ended (or at least gone into hibernation) following Avengers: Endgame. Listen, everyone knows the score here: Deadpool exists to break the fourth wall and offering meta commentary on the experience of the film as it happens. It's both refreshing and exhausting in equal portions, but the constant inside jokes that call out everything from other Ryan Reynolds movies to the Disney purchase of Fox to deep cuts for comic book aficionados effectively render non-stop dopamine hits for the viewer that keep things moving along and distract us from the shortcomings of the story. Take out all the fun references and what we're left with isn't much: Deadpool's reality is collapsing because Logan sacrificed himself a few years ago (in 2017's LOGAN, natch), and n...
Burt Reynolds spent a lot of the 1970s making movies that were set in the rural south and are sometimes called "hick flicks." With the two Gator McKlusky movies, we have one of his best and...another one.
You couldn't ask for a movie with a higher pedigree of talent in front of the camera and behind the scenes. 1963's The Great Escape is populated wall-to-wall with actors that I enjoy: Steve McQueen ( Bullit ), James Garner ( Support Your Local Sheriff ), Charles Bronson ( Mr. Majestyk ), Donald Pleasance ( Halloween ), James Coburn ( In Like Flint ) and Richard Attenborough ( Jurassic Park ) lead an all-star cast of current A-listers (and some that would be). Handling directing duties is John Sturges, a director who helmed more than his fair share of classics, including Last Train from Gun Hill (1959), The Magnificent Seven (1960), and The Eagle Has Landed (1976) . So it's with something close to guilt that I admit in this review that I don't love The Great Escape. I know I should. All the elements for success are there, from real-life heroism, underdogs that the audience can (and should) root for, even triumphs and tragedies as played out agains...
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